Preprint / Version 2

The Humanities Classroom with AI: Generative AI Ito-wo-Kashi (5)

##article.authors##

  • Shoichi YOKOYAMA National Institute for Japanese Language and Linguistics
  • Masaki HISANO Graduate School of Informatics and Engineering, The University of Electro-Communications

DOI:

https://doi.org/10.51094/jxiv.1855

Keywords:

Generative AI, Humanities, Symbol Grounding Problem, Turing Test, Noh Theatre, Yugen, Affordance, Persona, Dialogic Education, Meaning Understanding

Abstract

This work, The Humanities Classroom with AI: Generative AI Ito-wo-Kashi (5), presents a fictional university course in which a large language model embodies the personas of philosophers and artists—Kant, Turing, Gibson, Dennett, Wittgenstein, Zeami, Murasaki Shikibu, and Ozu Yasujiro—to explore the “symbol grounding problem” and the nature of meaning in AI. By reframing the Turing Test as both an assessment of machines and a mirror of human sensitivity, the narrative situates AI-generated intelligence within the aesthetic and emotional dimensions of human culture. Through references to Noh theatre’s “ma” (interval) and “yugen” (subtle beauty), it suggests that the silence and interpretive space between words may serve as a new site of grounding between human and AI consciousness. The study bridges literature, psychology, philosophy, and pedagogy, proposing a model of “affective intelligence” that redefines humanities education in the age of generative AI.

Conflicts of Interest Disclosure

The author have no conflicts of interest to declare.

Downloads *Displays the aggregated results up to the previous day.

Download data is not yet available.

References

横山詔一(2025)「大学の文系学部向け教育教材:生成AIいとをかし(1)」Jxivプレプリント https://doi.org/10.51094/jxiv.1228

Posted


Submitted: 2025-10-29 12:20:45 UTC

Published: 2025-11-05 04:17:27 UTC — Updated on 2025-11-06 05:49:34 UTC

Versions

Reason(s) for revision

Page 2: Added references at the end of the page. Page 5: Corrected “オーサシップ” to “オーサーシップ” (one instance). Page 14: Added the honorific “さん” after the name Reira KAMIDE (one instance).
Section
Literature, Language & Linguistics and Art