プレプリント / バージョン1

Japan's Pop Culture Soft Power

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DOI:

https://doi.org/10.51094/jxiv.1525

キーワード:

Cool Japan、 soft power、 anime、 digital platformization、 cultural diplomacy、 reception studies、 cultural industries

抄録

This study examines Japan’s evolving soft-power strategy through its pop-culture exports (anime, manga, J-pop, fashion, cuisine) in the digital era. Drawing on a mixed-methods design — document and policy analysis, comparative case studies, and digital ethnography of global fandom communities — the research traces a shift from organic, fan-driven cultural diffusion toward state attempts to systematize cultural exports (the “Cool Japan” effort). The analysis shows that while state initiatives (including the Cool Japan Fund) injected significant public resources into cultural promotion, major gains in global reach and economic value were driven primarily by digital platforms and decentralized fan networks. Key empirical findings include: (a) the Cool Japan Fund’s formalization of cultural promotion and its contested financial performance; (b) the central role of streaming and social platforms in scaling consumption and fandom; and (c) distinct regional reception patterns that mediate soft-power effects. The paper contributes theoretically by extending soft-power frameworks to account for platform mediation and decentralized cultural production, and empirically by presenting updated market and reception data through 2024–2025. Policy recommendations urge a recalibration from top-down branding toward enabling frameworks for creators, digitally-oriented incentives, and co-creative international partnerships.

利益相反に関する開示

The author declare no conflicts of interest associated with this manuscript.

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著者の経歴

Baker, Maher Asaad、SOLAV

Maher Asaad Baker (In Arabic: ماهر أسعد بكر), a Syrian Author, Journalist, and Musician, was born in Damascus in 1977.

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投稿日時: 2025-09-11 07:27:22 UTC

公開日時: 2025-09-21 23:45:52 UTC
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